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Against hefty odds, Gina Carano’s covert ops hard-nut Mallory Kane ably obliterates all comers in Steven Soderbergh’s revenge smack-’em-up. Likewise, Haywire delivers an agile drop-kick to doubts stacked against it. It isn’t Soderbergh at his most Oscar-fit ( Traffic ), artful ( Solaris ) or ambitious ( Che ), but …
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